Here are some miscellaneous notes on things to bear in mind when writing the script and shooting the video

prepare cue-cards. Especially where the script should be followed word for word. Especially for 'big' people.

White clothes are bad

Must make all the signs

Make sure to time with Roy Levin in advance

For facepaint, use either 'theatrical greasepaint'. Or a cork burnt over candle mixed with face cream or cold cream to make your own greasepaint.

Some way of doing the titles. Maybe a screen with just text on it. Maybe the characters doing a dance, like in Austin Powers.

Prepare the monologue interviews. That's an interview conducted by just one person. The subject will look straight at the camera. Tell the subject that we're looking for humour. Be candid. Maybe be brutally candid about past interns! Probably ten, maybe fifteen minute interviews. Hopefully we'll get something good out of them. By having these monologues it includes the audience in the gag.

Bud is a master of cutting!

Get lots of cutaway shots. These are incidental shots. Often they are closeups of items of relevance. This means that you don't lose the context when showing them. For instance, someone could be writing a note, and the cutaway would be a closeup of their hand and the paper.

Get establishing shots. These are relevant to what's about to happen. For instance, a shot of the outside of the building followed by a shot of the people inside reception.

Have lots of music throughout!

Swim suits would be easiest for the pool time travel

Delegate! But also have one person direct because it'll be way quicker that way.

Have lots of people (everyone) participate on-screen t the same time.

Do shoots with just one camera, mainly, except for the pool.

Have someone to do the makeup for Darth Moll.

Generally, shoot a 'master scene' once through for all of it, and then do more littler bits for cutaways and closeups and stuff.

Maybe Hannes for Darth Moll? Tom Rodheffer? Or another intern?

Suggested cut scene. Dr Evil sitting on a chair behind a desk working. Slides off-camera to the right. Looks surprised. Slides on-camera from the left. Looks even more surprised. Gets up angry at chair, or surprised, or something. We see the title of the scene on a piece of paper on the chair. Zoom in to it, I guess.